Blog sin fines de lucro (Non Profit)de la palabra poética, traducción, crítica literaria, Charles Bukowski, Raymond Carver, Sam Hamill, Allen Ginsberg, Lawrence Ferlinghetti, cultura,costumbres y el buen asado criollo. edmundokirk58@gmail.com. Colaboradores: Demian Paredes, Alejandro Elissagaray; Vanesa Malrossa; Maggie Culligan; Antonio Meloni; Ignacio Oliden; Edmundo Kirk, Patricia Ogan Rivadavia,
Eduardo D'anna. (Rosario 1948). Poeta, ensayista, docente. Ha publicado en poesía más de doce libros, entre ellos: Carne de la flaca, La montañita, La máquina del tiempo, Historia moral, Zoológicos y 2491; una novela La jueza muerta, 2001) y los ensayos Nadie cerca o lejos y Capital de nada, que exploran la cultura de su ciudad en relación a la cultura nacional. Actualmente dirige la revista literaria Facundo.
todos los que soy
se unen en sosiego
y reluce con el vaso
mi pobre vida atareada
veo como en un sueño
los tejados
converso en silencio
con mis muertos
523
Supimos un poco de Dios
en sus palabras
entonces
todo lo comprendíamos mejor
las montañas los valles
el círculo de la luna
ahora está inmóvil
un silencio calamitoso
nos encierra
839
De la misma familia
las rosas
las violetas
y el hecho de morir
856
Se arruina el verso
se ablanda y apoltrona
ha oído decir
que su tema
es pura tontería
pero él se obstina
en turbar las reglas
mira la mosca
quiere aprender
de su zumbido
de Hasta el fin de los números
Gustavo Adolfo Garcés. Medellín, 1957. Abogado de la Universidad de Antioquia y Magíster en Estudios Políticos de la Universidad Javeriana. Ha publicado: Libro de poemas (1987), Breves días (Premio Nacional de Poesía Colcultura, 1992), Pequeño reino (1998), Espacios en blanco (2000) y Libreta de apuntes (2006). Se desempeña como asesor de la Procuraduría Delegada para la Prevención en Materia de Derechos Humanos y Asuntos Étnicos.
Homero Carvalho Oliva, boliviano, escritor y poeta, ha obtenido varios premios de cuento a nivel nacional e internacional, dos veces el Premio Nacional de Novela y ha publicado tres libros de cuentos, seis novelas y dos de poesía. Su obra literaria se ha convertido en un referente de la literatura nacional y ha sido traducido a otros idiomas, además de figurar en más de dos docenas de antologías literarias. Es autor también de guiones cinematográficos, documentales, ensayos literarios y de las antologías de poemas y cuentos de Santa Cruz, publicadas con motivo del Bicentenario.
Alfredo Jorge Maxit (Colón, Entre Ríos, 1942). Poeta. Ha publicado Entreluces (1996), Con las palabras (2005), Des/habitaciones (2006), Sombras de luz (2007) y En tránsito (2008).
on your eastern slopes or even in your capital city.
No, it wasn’t a punishment for allowing the American
government to dictate the terms of anti-terrorism.
It was the reign of the rains, pure and simple water
because the clouds are sick of all the rot in the world,
all the abuse of women, the trafficking of them and kids,
the eyes of porn, the sperm-oil spurts of dead men
enslaved to perpetual indifference, the hunger that looks
out of the eyes of children for food, understand?
Food is what we’re yelling for in your ears, we’re starving
and a volcano’s going to erupt, a tsunami’s rearing up,
the earth’s quaking under us, fires spreading over our land,
monsoon, typhoon in the last years of this katun: we’re starving
and only water can save us, and it’s killing us! It’s flooding
and drowning us, soaking down to our soul, O undersea,
O undersea sons,
O undersea sons
Where is the whale that can drink this whole flood, this
oil of the blood and the flames of this war-sick world,
in the immense cave of whose belly, we will have to live
until we re-learn the alphabet of the future from scratch?
All our gods have failed.
Peace is the only one left.
SLICK SATIN
The satin of BP’s slick
has killed millions of fish
and still it’s taxed shit-all,
and 11 exploded corpses
are bloodcrusted on its hands.
And don’t give me please
the scolding of the President.
He needs that fucking oil
for his drones and copters
to keep killing innocents abroad.
Let’s hear it for… statistics:
How many animals are murdered
in the poor and battered Gulf?
How many soldiers suicided
and overdosing in Afghanistan,
Iraqistan, Newyorkistan, Iranistan,
Sanfranciscistan. How many are
raising their knives to have done
with their humiliated lives
worth less than barrels of oil.
Or putting gun-barrels to brains
instead of making the BP rats
meet the most gigantic cats in
human history, licking our chops,
dying for ratatoui between our teeth.
OIL WATER
Oil-water, a spill of gold
that’s killed workers, animals.
Cross the border. Drill a hole.
Arizona, why you so cold?
Tears in Detroit people’s eyes:
the only water not privatized.
Motown lowdown Louis Joe:
All’s backwards, doncha know?
35 thousand without any, who
refuse to send their daughters
to ho for pennies, who shout:
Retaw, Retaw they backwards
cry: Water!Water one day will
sink this stinkingsystem of money-
stuffed lying mouths, our pliers
will get into their mugs, yank all
the rotten teeth out of their bite,
fit those mouths over the pipes
where the spill of such swill of
profits finally will be plugged,
and corporate thieves, downright
plunderers of what’s decent in life
will guzzle till they drown of death,
and all in Detroit, New Orleans and
Cleveland too will raise their glasses
full of simple aitch-two-oh, and toast
and sing, because no sink or tub will be
without it, The Water Song:
Agua! Acqua! Eau!Wasser! Voda!
Hallelujah, Nature’s natural again!
Jack Hirschman (New York, 1933). Poet (Laureate of the city San Francisco) translator, journalist & painter. He is an assistant editor at the left-wing literary journal Left Curve and is a correspondent for The People’s Tribune. Among his many volumes of poetry are A Correspondence of Americans (Indiana U. Press, 1960), Black Alephs (Trigram Press, 1969), Lyripol (City Lights, 1976), The Bottom Line (Curbstone, 1988), and Endless Threshold (Curbstone, 1992).
His first volume of poetry, published in 1960, included an introduction by Karl Shapiro: "What a relief to find a poet who is not afraid of the vulgar or the sentimental, who can burst out laughing or cry his head off in poetry -- who can make love to language, or kick it in the pants."
